Superman had imprisoned his most formidable enemy,. Doomsday, at the featured in this publication are trademarks of DC Comics. WITH DEATH. IF YOU. and views. Tagged with,, Creativity, ; Death of Superman. This was the series that I started collecting comics with. GOod times. "The Death of Superman" is a crossover story event featured in DC Comics' Superman-related Create a book · Download as PDF · Printable version.
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The administrator of this site (tvnovellas.info) cannot be held responsible for what its users post, or any other actions of its users. You may not use this site to. The Death of Superman Book I - IV () FREE Comics Download on CBR CBZ Format. Download FREE DC, Marvel, Image, Dark. The Death of Superman, Part 1 #1 – 12 (). Year: | Size: MB. The Death of Superman was one of the biggest moment in the history of comics.
He is the last remaining resident from the planet Krypton after his father, Jor-El , sent him to Earth in a small spaceship before the planet exploded. They raised him from his youth with a strong sense of morals and encourage him to use his powers for the betterment of humanity. Olsen is close friends with Superman and designed a watch which emits a high-pitched signal only he can hear. She possesses powers similar to his and can also shapeshift. He is wealthy, powerful, intelligent, and Superman's archenemy, viewing him as a threat to humanity. He is accomplished at gymnastics and deduction, and defends himself with a golden helmet and shield.
Supergirl uses her powers to reconstruct Superman's original costume and they return to Metropolis. The sketch depicts the casts of DC and Marvel attending Superman's funeral.
Black Lightning , portrayed by Sinbad , tries to enter, but no one knows him even though he claims to have taught Superman how to fly. Den of Geek! Comic book retailers ordered five million copies of Superman 75 in advance and many people who had never read comics bought the issue hoping it would become an expensive collector's item.
Some stores had one-per-customer limits on the issue to avoid mobs and lines of customers longer than a city block.
Both books included cover enhancements to attract customer attention. Retailers and distributors were stuck with unsold copies,  and thousands of stores closed. Jurgens, for instance, stated he did not anticipate the attention,  while Stern believed the sensation was caused only because it was a good story.
Sims called the crossover DC's greatest success of the s and a definitive Superman story. He thought that while killing off an important comics character was not an original idea, "The Death of Superman" was more ambitious and had a greater legacy than other similar events.
Both Salvatore and Nevett thought Doomsday came out of nowhere,   and Nevett joked he was a "walking plot device" rather than a true villain. There was no build-up, no suspense developed. Superman had no foreboding of some force out there that would conquer him. While pitching possible replacements, Ordway jokingly suggested that they should kill Superman. As Superman comic sales had declined in recent years, the writing teams felt the character had been taken for granted and decided to temporarily kill him to emphasize his importance.
They wanted the crossover to surprise readers and show Superman is not invincible. The first arc chronicles Superman's fight with the monster Doomsday and concludes with his apparent death.
The second depicts Superman's fellow superheroes and the rest of the DC Universe mourning his death, ending with his adoptive father Jonathan Kent having a heart attack. The third sees the emergence of four Superman imposters before the original returns. When news broke that DC planned to kill Superman, a beloved cultural icon , "The Death of Superman" received unprecedented coverage from the mainstream media. Superman 75, which features Superman's death, sold over six million copies and became the top-selling comic of Retrospective reviewers are divided on the story, with some finding it ambitious and influential, while others dismiss it as a publicity stunt.
The story has been adapted into various forms of media, including two novelizations in and a beat 'em up video game, The Death and Return of Superman , in A loose animated film adaptation, Superman: Doomsday , was released in A second animated adaptation was released as a two-part film, The Death of Superman and Reign of the Supermen , in and , respectively.
In , DC launched the crossover event Crisis on Infinite Earths , which took place in a variety of comics. Its conclusion resulted in the DC Universe —the shared universe that the publisher's comics, including those related to Superman, take place in—being rebooted. The following year, Byrne relaunched Superman with a new first issue and the original series was renamed The Adventures of Superman.
As a result of Byrne's departure, Superman group editor Mike Carlin had to assemble new creative teams to replace him. Ordway began to write The Adventures of Superman , while Roger Stern , who had recently finished a year stint at rival publisher Marvel Comics , took over Action Comics.
Connecting stories also became harder due to the new, more diverse creative teams, whereas Byrne had managed most of them on his own. The summit was a unique method of making the writers work together, focusing their attention to the next year's worth of stories. DC editor Paul Levitz liked the success of the three interconnected Superman comics, so a fourth, Superman: Eventually, they had Kent propose to Lane and reveal he was Superman, and began to plan a storyline about their marriage.
They also considered a "Death of Although the series did not exist in the same continuity as the comics, Warner Bros. The postponement disappointed the writing teams, as they had to put aside a year's worth of story planning and, according to Simonson, essentially had to come up with something at the last minute.
Simonson spoke up and said, based on her experience from editing X-Men comics at Marvel, killing a major character "show[s] just how much that character means — to his friends, family, enemies, to the whole world!
The Amazing Story of Superman , he recalled, "the world was taking Superman for granted, so we literally said 'let's show what the world would be like without Superman'. Prior to moving forward, Carlin asked Siegel if he had any concerns with the concept of killing Superman. Siegel felt it was "a good way to shake things up"; the teams felt better knowing he approved.
It felt like a story that could make the readers care again, the way we had always cared about Superman. Jurgens created the concepts of a monster tearing apart Metropolis and an issue dedicated to a single fight sometime before "The Death of Superman"; the teams combined these when developing the story. Thus, they concluded that a new villain had to take him on physically. The four issues showing Superman's fight with Doomsday feature a "countdown" of panels: Furthermore, Jurgens wanted to make an issue told through splash pages and the fight seemed like the perfect fit.
Chronicling the fallout of Superman's death did not take long, according to Bogdanove. He thought, as "the real meat of the story", it allowed them to accomplish their goal: However, the teams delayed all Superman comics for three months to create the illusion that he had really been killed because DC's solicitation cycle would have spoiled the resurrection.
The media attention caused Carlin to delay Superman's resurrection beyond The Adventures of Superman Simonson suggested that each writer create their own Superman, which not only solved the problem of what this new character should be like but also let the creative teams have independence after years of forced collaboration.
Stern characterized Eradicator as an " Old Testament " Superman who was more alien than human and compared his character to Jack Kirby 's Silver Surfer. Jurgens chose to reintroduce Henshaw, whom he created a few years earlier, with his Cyborg Superman. He hoped to trick readers into thinking Henshaw was the real Superman before revealing him as a villain.
Even if their original idea was altered, each writer maintained a sense of individuality for their Superman. The Adventures of Superman was Ordway's last issue on the title, as he wanted to spend time with his family. Ordway also hoped to use a character from The Sandman , Death , in issue but was unable to do so because of an editorial mandate barring characters from DC's mature comics line appearing in mainstream books like Superman. The Man of Steel 17 November ; after the issue's story, a teaser panel shows Doomsday's fist repeatedly punching a wall.
One version had a translucent white bag with the red Superman logo , while another came in a black bag with a white logo. According to Vulture ' s Abraham Riesman, DC "aggressively" promoted "The Death of Superman" since it had financial incentives to do so, as comic book speculation was at its peak.
Publishers like DC would designate certain comic book issues as significant, causing mint condition copies to be sold for more money. It compiled fictional news stories about Superman's death, providing an in-universe look at the event. DC published the story in three collected volumes from to Manning, is the bestselling trade paperback of all time. Jurgens also contributed new cover art.
The Death of Superman ;  Superman: Funeral for a Friend ;  Superman: Reign of the Supermen ;  and Superman: The Return of Superman. Doomsday , around the same time; it compiles comics that feature Doomsday's return. Doomsday emerges from an underground bunker and encounters the Justice League International.
He easily defeats them, but Superman arrives and the two fight across America. Doomsday sees a commercial for a Metropolis wrestling competition and heads for the city. Superman throws Doomsday on the mountain housing Project Cadmus, but fails to stop him from reaching Metropolis.
Professor Emil Hamilton and Bibbo Bibbowski fire a laser cannon at Doomsday, but it does not harm him.
At the struggle's culminating moment in front of the Daily Planet building, both lay a massive blow upon each other, killing Doomsday and mortally wounding Superman. In the arms of a frantic Lane, Superman succumbs to his wounds and dies. Olsen, Justice League members Ice and Bloodwynd, and Guardian are also present at the end, with Olsen bitterly photographing Superman's fall.
Superman's death stuns and traumatizes the residents of the DC Universe. After the funeral, Project Cadmus steals Superman's body from his mausoleum to clone him, but Lane and Supergirl recover it. Jonathan Kent takes Superman's death the hardest. One night, while reading a newspaper story Lane wrote in Superman's honor, Jonathan begins to feel responsible for his son's death and has a heart attack in his wife Martha's arms. Meanwhile, four men claiming to be Superman—Steel, the Cyborg Superman, Superboy, and Eradicator—emerge, and Lane discovers his grave is empty.
A powerless Superman, wearing a black costume, escapes the matrix. They travel to Engine City,  where the Cyborg launches a missile at Metropolis with the intent of destroying it and building a second Engine City in its place.
Superboy manages to stop the missile before it strikes. Devastated, Jordan attacks Engine City and defeats Mongul. The gas kills Eradicator but also evolves within him. It passes into Superman, allowing him to regain his powers and defeat the Cyborg. Supergirl uses her powers to reconstruct Superman's original costume and they return to Metropolis.
As DC did not reveal that Superman would be revived at the end of the story, many fans believed "The Death of Superman" had permanently killed Superman, a beloved cultural icon. The sketch depicts the casts of DC and Marvel attending Superman's funeral. Black Lightning , portrayed by Sinbad , tries to enter, but no one knows him even though he claims to have taught Superman how to fly.
Den of Geek! The attention caused "The Death of Superman" to become an unforeseen success.
Comic book retailers ordered five million copies of Superman 75 in advance and many people who had never read comics bought the issue hoping it would become an expensive collector's item. Some stores had one-per-customer limits on the issue to avoid mobs and lines of customers longer than a city block. The Man of Steel Dinosaur Hunter 1 to the release of The Adventures of Superman to take advantage of the increased customers and boost sales.
Both books included cover enhancements to attract customer attention. Retailers and distributors were stuck with unsold copies,  and thousands of stores closed. Some commentators have retrospectively dismissed "The Death of Superman" as little more than a publicity stunt to give the Superman comics a brief surge in sales. ComicsAlliance writer Chris Sims believed that most people bought Superman 75 just to see Superman's death,  while Weldon speculated its sales were propelled by hopes it would become valuable.
Jurgens, for instance, stated he did not anticipate the attention,  while Stern believed the sensation was caused only because it was a good story. Despite these accusations, many view "The Death of Superman" favorably. Sims called the crossover DC's greatest success of the s and a definitive Superman story.
He thought that while killing off an important comics character was not an original idea, "The Death of Superman" was more ambitious and had a greater legacy than other similar events. Conversely, The Escapist ' s Bob Chipman described the event as a "dumb story full of crappy characters embodying almost all of the worst trends of dreadful [s] comics,"  and lamented its influence on subsequent Superman films and comics in general.
Both Salvatore and Nevett thought Doomsday came out of nowhere,   and Nevett joked he was a "walking plot device" rather than a true villain. There was no build-up, no suspense developed. Superman had no foreboding of some force out there that would conquer him.
It all occurred too quickly. It featured Spider-Man having a baby, which Marvel believed would appeal to news outlets. Some characters established during "The Death of Superman" became recurring characters in DC's comics.
Superboy and Steel received ongoing series after the story's conclusion and Steel appears in a self-titled film , portrayed by basketball player and Superman fan Shaquille O'Neal.
In , DC relaunched its entire comics line in an initiative called The New 52 , which revamped the DC Universe and erased certain events. The relaunch altered Superman considerably, characterizing him as shorter-tempered and no longer in love with Lois Lane.
The first parts chronicle Superman's actions hours before Doomsday kills him; later parts follow Jimmy Olsen during the confrontation and the aftermath of Superman's death. It features cover art by Alex Ross. Today, DC Comics has announced that a new digital-first comic series titled The Death of Superman will be released as a tie-in to the animated movie of the same title.
Written by fan-favorite scribe Louise Simonson and illustrated by Cat Staggs, Joel Ojeda, Laura Braga and more, the digital comic is a part series that will unfold weekly. The Death of Superman: Part 1 is meant to be a prequel of sorts to the animated film The Death of Superman , which was already released digitally last week.
The events that unfold in the comic take place hours before Superman's fateful battle with the raging monster known as Doomsday. Some of the chapters are said to follow the heroic feats of Superman prior to the confrontation, while subsequent stories will examine what Jimmy Olsen was up to during that time, or deal with the fallout of the death of a major hero.