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PHOTOSHOP CC CLASSROOM IN A BOOK PDF

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From the Library of Luke Ayler Subscribe to view the full document. All rights reserved. If this guide is distributed with software that includes an end user license agreement, this guide, as well as the software described in it, is furnished under license and may be used or copied only in accor- dance with the terms of such license. Except as permitted by any such license, no part of this guide may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, elec- tronic, mechanical, recording, or otherwise, without the prior written permission of Adobe Systems Incorporated. Please note that the content in this guide is protected under copyright law even if it is not distributed with software that includes an end user license agreement. The content of this guide is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibility or liability for any errors or inaccuracies that may appear in the informational content contained in this guide.

The red rectangular outline represents the area of the image that appears in the image window. When you zoom in far enough that the image window shows only part of the image, you can drag the red outline around the thumbnail area to see other areas of the image.

In the Layers panel, on the right side of the workspace, make sure the Rose layer is selected. In the Properties panel, move the Brightness slider to 98 and the Contrast slider to The image of the rose brightens.

There is no right or wrong setting; the values you should use depend on the results you want. Adjustment layers let you make changes to your image, such as adjusting the brightness of the rose, without affecting the actual pixels.

Layering is one of the fundamental and most powerful features in Photoshop. Photoshop includes many kinds of layers, some of which contain images, text, or solid colors, and others that simply interact with layers below them. Click the double arrows at the top of the Properties panel to close it.

Saving the file with a different name ensures that the original file 01Start. That way, you can return to it if you want to start over.

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Your image is bright and punchy and ready for a birthday card. Sampling a color By default, the foreground color in Photoshop is black and the background color is white. You can change the foreground and background colors in several ways. One way is to use the Eyedropper tool to sample a color from the image. In the Layers panel, click the Visibility column for the Ribbons layer to make the layer visible.

When a layer is visible, an eye icon appears in that column. Select the Eyedropper tool in the Tools panel. Click the blue area in the Happy Birthday ribbon to sample a blue color. The foreground color changes in the Tools panel and the Color panel. Anything you draw will be this color until you change the foreground color again. Working with tools and tool properties When you selected the Zoom tool in the previous exercise, you saw that the options bar provided ways for you to change the view of the current image window.

Using context menus Context menus are short menus that contain commands and options appropriate to specific elements in the work area. Usually, the commands on a context menu are also available in some other area of the user interface, but using the context menu can save time. Select the Zoom tool , and zoom in so you can clearly see the lower third of the card. Select the Rectangular Marquee tool in the Tools panel. The Rectangular Marquee tool selects rectangular areas.

See the illustration below. As you drag the tool, Photoshop displays the width and height of the selected area. Selection areas are shown by moving dotted lines, sometimes referred to as marching ants. Select the Brush tool in the Tools panel. In the image window, right-click Windows or Control-click Mac OS anywhere in the image to open the Brush tool context menu.

Context menus vary with their context, of course, so what appears can be a menu of commands or a panel-like set of options, which is what happens in this case. Select the first brush Soft Round , and change the size to 65 pixels. Click anywhere outside the selection to close the panel. Note Clicking anywhere in the work area closes the context menu.

The selection is gone, but the blue bar remains. Selecting and using a hidden tool Photoshop has many tools you can use to edit image files, but you will probably work with only a few of them at a time. The Tools panel arranges some of the tools in groups, with only one tool shown for each group. The other tools in the group are hidden behind that tool.

A small triangle in the lower right corner of a button is your clue that other tools are available but hidden under that tool. Position the pointer over the third tool from the top in the Tools panel until the tool tip appears. The tool tip identifies the Lasso tool , with the keyboard shortcut L. Select the Lasso tool. With the Lasso tool, you can draw free-form selections; the Polygonal Lasso tool makes it easier to draw straight-edged sections of a selection border.

Move the pointer over the left edge of the blue color bar that you just painted. Click just to the left of the upper left corner of the bar to start your selection.

You should begin your selection just outside the colored area. Click just to the left of the bottom left corner of the bar to create the second side of the triangle. Click the point where you started to finish the triangle. Press the Delete key on your keyboard to delete the selected area from the colored bar, creating a notch for your ribbon.

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The ribbon is ready. Now you can add a name to your birthday card. In the Tools panel, select the Horizontal Type tool.

Adobe Photoshop CC Classroom in a Book (2018 release)

The buttons and menus in the options bar now relate to the Type tool. In the options bar, select a font you like from the first pop-up menu. We used Minion Pro Italic, but you can use another font if you prefer. Specify 32 pt for the font size. You can specify 32 points by typing directly in the font-size text box and pressing Enter or Return, or by scrubbing the font-size menu label. You can also choose a standard font size from the font-size pop-up menu. Click once anywhere on the left side of the colored bar, and type Elaine.

Or you can type a different name, if you like. The text is the same color as the bar you typed it on. Alt-dragging Windows or Optiondragging Mac OS changes the values in smaller increments; Shift-dragging changes them in larger increments. Using panels and panel menus The text color is the same as the Foreground Color swatch in the Tools panel, which is the blue color you used to paint the bar.

Make sure the Horizontal Type tool is selected in the Tools panel.

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Drag the Horizontal Type tool across the text to select the full name. Select any light-colored swatch. We chose pastel yellow. Note When you move the pointer over the swatches, it temporarily changes into an eyedropper. Set the tip of the eyedropper on the swatch you want, and click to select it. The color you select appears in three places: as the Foreground Color in the Tools panel, in the text color swatch in the options bar, and in the text you selected in the image window.

Select another tool in the Tools panel, such as the Move tool , to deselect the text so that you can see the text color. Click the menu button on the Swatches panel to open the panel menu, and choose Small List.

Select the Type tool and reselect the text, as you did in steps 1 and 2. In the Swatches panel, scroll about halfway down the list to find the Light Yellow Orange swatch, and then select it.

Select the Move tool again to deselect the text. Now the text appears in the orange color. Typing V will add the letter to your text in the image window. For the real world, Photoshop gives you the power to step back and undo actions so that you can try other options. You can experiment freely, knowing that you can reverse the process.

Even beginning computer users quickly come to appreciate the familiar Undo command. The name returns to its previous color. The Undo command in Photoshop reverses only one step. This is a practicality, because Photoshop files can be very large, and maintaining multiple Undo steps can tie up a lot of memory, which tends to degrade performance.

However, you can often use the Step Backward and Step Forward commands in the Edit menu to move through multiple steps. Save the file. Your birthday card is done! More about panels and panel locations Photoshop panels are powerful and varied.

Rarely would you need to see all panels simultaneously. The complete list of panels appears in the Window menu. Check marks appear next to the names of the panels that are open and active in their panel groups.

You can open a closed panel or close an open one by selecting the panel name in the Window menu. You can hide all panels at once—including the options bar and Tools panel—by pressing the Tab key. To reopen them, press Tab again. Note When panels are hidden, a thin, semitransparent strip is visible at the edge of the document. Hovering the pointer over the strip displays its contents. You already used panels in the panel dock when you used the Layers and Swatches panels.

You can drag panels to or from the panel dock. This is convenient for bulky panels or ones that you use only occasionally but want to keep handy. To expand a panel, click its icon or the double arrow. You can also pull the lower right corner in or out.

Note You can collapse, but not resize, the Character and Paragraph panels. Double-click again to restore it to the expanded view. You can open the panel menu even when the panel is collapsed. Notice that the tabs for the panels in the panel group and the button for the panel menu remain visible after you collapse a panel.

You can move the options bar to another location by dragging the grab bar at the far left end of the panel. Changing interface settings By default, the panels, dialog boxes, and background in Photoshop are dark.

You can lighten the interface or make other changes in the Photoshop Preferences dialog box: 1. Select a different color theme, or make other changes. When you select a different theme, you can see the changes immediately. You can also select specific colors for different screen modes and change other interface settings in this dialog box. Review questions 1.

Describe two types of images you can open in Photoshop. How do you select tools in Photoshop? Describe two ways to zoom in to or out from an image.

What are two ways to get more information about Photoshop? Review answers 1. You can scan a photograph, transparency, negative, or graphic into the program; capture a digital video image; or import artwork created in a drawing program.

You can also import digital photos. A selected tool remains active until you select a different tool. To select a hidden tool, either use a keyboard shortcut to toggle through the tools, or click and hold the tool in the Tools panel to open a pop-up menu of the hidden tools. Choose commands from the View menu to zoom in on or out from an image, or to fit it onscreen, or use the zoom tools and click or drag over an image to enlarge or reduce the view.

You can also use keyboard shortcuts or the Navigator panel to control the display of an image. The Photoshop Help system includes full information about Photoshop features plus keyboard shortcuts, task-based topics, and illustrations. Creative Cloud Learn provides inspiration, key techniques, cross-product workflows, and updates on new features.

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This lesson steps you through the process of acquiring, resizing, and retouching a vintage photograph. For many images, you may need only to change the resolution, lighten the image, or repair a minor blemish. For others, you may need to perform several tasks and employ more advanced filters.

Note In this lesson, you retouch an image using only Photoshop. For other images, it may be more efficient to work in Adobe Camera Raw, which is installed with Photoshop. Likewise, sharpening should usually be your final step. For the other tasks, consider your project and plan accordingly, so that the results of one process do not cause unintended changes to other aspects of the image, making it necessary for you to redo some of your work.

Whether an image is intended for black-and-white publication on newsprint or for full-color online distribution affects everything from the resolution of the initial scan to the type of tonal range and color correction that the image requires.

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Photoshop supports the CMYK color mode for preparing an image to be printed using process colors, as well as RGB and other color modes for web and mobile authoring. Resolution and image size The first step in retouching a photograph in Photoshop is to make sure that the image has an appropriate resolution. The term resolution refers to the number of small squares, known as pixels, that describe an image and establish its detail. Resolution is determined by pixel dimensions, or the number of pixels along the width and height of an image.

Pixels in a photographic image Note To determine the necessary image resolution for a photograph you plan to print, follow the computer-graphics rule of thumb for color or grayscale images intended for print on large commercial printers: Scan at a resolution 1. In computer graphics, there are different types of resolution: The number of pixels per unit of length in an image is called the image resolution, usually measured in pixels per inch ppi.

An image with a high resolution has more pixels and therefore a larger file size than an image of the same dimensions with a low resolution. Images in Photoshop can vary from high resolution ppi or higher to low resolution 72 ppi or 96 ppi.

Unless the resolution of your image is exactly the same as the resolution of the monitor, the image size in inches, for example onscreen may be larger or smaller than the image size will be when printed.

The number of pixels per unit of length on a monitor is the monitor resolution, also usually measured in pixels per inch ppi. Image pixels are translated directly into monitor pixels. In Photoshop, if the image resolution is higher than the monitor resolution, the image appears larger onscreen than its specified print dimensions.

The number of ink dots per inch dpi produced by a platesetter or laser printer is the printer, or output, resolution. Higher resolution images output to higher resolution printers generally produce the best quality. The appropriate resolution for a printed image is determined both by the printer resolution and by the screen frequency, or lines per inch lpi , of the halftone screens used to reproduce images.

Keep in mind that the higher the image resolution, the larger the file size, and the longer the file will take to print or to download from the web. For more information on resolution and image size, see Photoshop Help. You may make copies of these files and save them under different names or locations, or you may work from the original start files and then download them from the peachpit.

In Lesson 1, you used the Open command to open a file.

For more information, see page 3. Adobe Bridge opens, displaying a collection of panels, menus, and buttons. Select the Folders tab in the upper left corner, and then browse to the Lessons folder you downloaded onto your hard disk, so that the lesssons in the Lessons folder appear in the Content panel.

Adding files, folders, application icons, and other assets that you use often to the Favorites panel lets you access them quickly. Select the Favorites tab to open the panel, and click the Lessons folder to open it. Then, in the Content panel, double-click the Lesson02 folder.

Thumbnail previews of the folder contents appear in the Content panel.

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