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The full text of this article hosted at iucr. E-mail address: Use the link below to share a full-text version of this article with your friends and colleagues. Learn more. The paper provides an overview of the state of the small pelagic fish in the Adriatic Sea. The North Adriatic is reviewed for the — period and the South Adriatic for the — period. First the fluctuations in time and in space of the pelagic biomass, as a whole and per species, are presented.
Sabato 24 Novembre [ Domenica 25 Novembre [ Sintesi polifonica analogica.
Forzare l'installazione di Windows 10 Anniversary Update. Purtroppo, con i nuovi sistemi basati su piattaforme della serie H, H, Z , ci si imbatte in un errore che interrompe il processo di installazione.
Le regole per l'utilizzo di un drone a scopo amatoriale. Port et porte de la Rome antique ed. Georg, , —77 [trans. Lola Sasson and Manuela Wullschleger].
On the webpage men- tioned above see n. In what follows, I proceed chronologically by discussing the work of the various dig seasons and, where relevant, highlighting certain important finds and archival records. The synagogue building appears to have been discovered as workers exposed this paved surface along the road.
The initial explorations in the area lasted from March or April through June of that year. Michael White and Anders Runesson. A Reply to A. A Response to L. Atti della Pontificia Accademia Romana di Archeologia 34 It was only in early June that excavators found the famous architraves decorated with Jewish symbols that allowed the excavator to describe the remains as a synagogue.
Restano ancora da scavare altri ambienti lungo il fianco occidentale del comp- lesso e una parte del vestibolo. Thus, the synagogue proper is Building IV. In a short pam- phlet written in , Floriani Squarciapino, La sinagoga di Ostia: The Synagogue of Ostia Rome: The other one inv. The Art of Jewish Life in Italy ed. Vivian B. Mann; Berkeley: University of California Press, , ; Italian edition: Duemila anni di arte e vita ebraica in Italia ed.
Mann; Milan: Arnoldo Mondadori Arte, , C ascertain details of the exact logistics of these operations, but a short series of photographs document these efforts see Figure 2 for an example.
What can be said is that the area was mapped into quadrants, as indicated by a plan that was produced after the campaign was complete see Figure 3.
Labels from the artifact bags, however, show that the grid system was in use already in early June of Since the grid lines seem to be determined by the north and east walls of the building, these were prob- ably exposed and articulated quite early in the excavation process.
The restoration of the excavated part was carried out at the same time, and the columns were raised. Some of the artifacts recovered from these excavations are mentioned in passing by the excavator, but they have never been systematically described or published.
On occasion, more detailed information is provided on the bags some of the bags have rough elevation drawings of the trenches from which the contents were drawn , while other labels are more vague with regard to stratigraphy. This difficulty limits their usefulness for reconstructing the process of the excavations, but many of the labels can be used in combination with the plan to shed light on the excavation process.
A system of numerical designations for some spaces is also found on some labels. Bins containing materials from the — excavations of the synagogue proper have been sorted according to material type marmi, metalli, anfore, etc. For example, a group of fourth and fifth century coins inv.
As the Figure 3 indicates, only a relatively small area meets the crite- ria of being both in 2F and inside the building. For many of the items, however, such precision is not attainable. By the end of the campaign, much of the main structure of the build- ing had been exposed.
The masonry of the building consisted largely of a combination of opus reticulatum and opus vittatum. Several distinct spaces were revealed. It is certain that the area of the brick and south of the Via Severiana. The cleaning in the area around the Torah shrine revealed an opus sectile floor. The shrine itself was constructed in opus vittatum and decorated with polychrome marble. It is also certain that the immediate vicinity of the four large columns was cleared, as they were also raised before the end of the season.
At least a portion of the area to the west of the Torah shrine, however, seems not to have been cleared judging from the early photographs, one of the smaller columns—the one abutting the south wall of Room 14—seems not to have been moved to this day; see Figure 2. As noted earlier, the four large columns discovered in Room 14 were re-erected and three of the capitals put back in place, several of the walls were repaired although the large collapsed portion of the north wall of Room 14 was left in place , and the Torah shrine was rebuilt.
Yet, it seems that at this stage, Floriani Squarciapino regarded as open the question of whether or not this earlier building was a synagogue. She wrote: Although, the final sentence of the piece seems to indicate the direction in which she was leaning: See also J. Pontifico Istituto di Archeologia Cristiana, , —, at The second article was written after the excavations were completed: The third article is a summary of some of the discoveries of the and sea- sons: Lionel Casson].
With the aid of the Giornali degli Scavi and the artifact tags, all of them can be located in the main building IV.
Room 14, near the Torah shrine; S: A different grid system employing numbers seems to have been used briefly in the season. The rough earthen floor was removed, more fully exposing the mosaic floor beneath it. In an entry for June 7, , the Giornali degli Scavi report the discovery of a group of coins between the mosaic floor and the lower cocciopesto sur- face in Room The Giornali degli Scavi entry for May 7—8, lists several decorated lamps found in a deposit in Room 10 inv.
A photograph of five lamps bearing menorahs from the syna- gogue has appeared in some publications e. Basic data about two lamps found at the synagogue inv.
Mann , An image and short discussion of inv. The Emergence of the Synagogue in the Ancient World ed. Steven Fine; New York: Oxford University Press, , 85 and Convivio, ed. Cesare Vasoli, in Dante Alighieri, Opere minori, vol.
De vulgari eloquentia, ed. Monarchia, ed. Bruno Nardi, in Opere minori, tomo II. Epistole, ed. Egloge, ed. Enzo Cecchini, in Opere minori, tomo II. Questio de aqua et terra, ed. Francesco Mazzoni, in Opere minori, tomo II. Thomas Aquinas, Summa Theologiae, in the Blackfriars edition, 61 vols. Translations are mine unless otherwise stated.
All italics present both in the Italian and the English translation are mine. Shorter forms of chapter 6 appeared in Dante Studies : 43—62, and, in Italian, in Studi americani su Dante, ed.
Chapter 9 appeared in Lettere italiane 40 : 3— Mary Refling compiled the index.
I would like also to take this opportunity to thank Joan M. Ferrante for her friendship, enthusiasm, and generosity over the by now twenty years of our Dante dialogue. But, if Nardi is more rational than is decorous among believers, he is also more believing than is decorous among rationalists; indeed, the very posing of his final query to which he offers another qualified assent 4 may have limited the influence of his essay. Logically prior to this query stands another that we cannot answer, but on which we may speculate: Did Dante himself believe in the literal truth of those things for which he claims literal truth?
As to how we have arrived at such an impasse, I submit that a major cause has been the issue, still unresolved, of the authorship of the Epistle to Cangrande.
In the United States we have tended to vex the issue of allegory as a mode, genre, or method, evolving a critical discourse regarding the allegory of the Commedia that barely refers to the text.
Hence the Italian accusation that we are engaged in sterile allegorizing at the expense of the poetry—an ironic response given that our insistence on the allegory of theologians was intended to reinvest the literal sense with a poetic worth denied it by the traditional reading based on the allegory of poets. The early commentators thus deflected attention from the literal sense and its preposterous claims by intentionally devaluing it, equating it with the allegedly fictitious imaginings of the poet.
At this point, the parallels between Nardi and Singleton become more evident, as do the ironies inherent in our story. But their approach to the document could not be more different. Although he did not lay as great a stress on the evils of this dichotomy as Nardi, Singleton too was aware of it as a problem and indeed viewed the matter in a Nardian focus that was not passed on to his heirs, who have instead preserved the dichotomy and privileged the theologus—precisely as Italian critics, who have done the opposite, have accused them of doing.
To the extent that we do speak of these matters, we view them not as prerequisites for all investigation of the Commedia but as independent strands of Dante studies, devoted to allegory, profetismo, apocalyptic literature, mysticism, and the like. Paolo; 2 la visione che S. Pietro, S. Giacomo e S. Paul; 2 the vision that St. Peter, St.